Birds born in a cage think flying is an illness

magictransistor:

Frank R. Paul

fancyadance:

Mary O’ Malley Ceramics

more

pixography:

Bertrand Faupin

pixography:

Bertrand Faupin

pixography:

Terry Oakes ~ “Psychomech”, Cover Art

pixography:

Terry Oakes ~ “Psychomech”, Cover Art

sciencefictiongallery:

Paul Lehr - Andromeda Gun, 1974.

sciencefictiongallery:

Paul Lehr - Andromeda Gun, 1974.

pixography:

Paul Klee ~ “Crystal Gradation”, (1921)

pixography:

Paul Klee ~ “Crystal Gradation”, (1921)

magictransistor:

Herbert Bayer.

Afterglow, 1970.
Chromatic Accrument, 1971.
Multi-Channel Prototype, 1970.
Complementary with Gold, 1970.
Birthday Picture, 1970.
Chromatic Twist, 1970.
One Reversed, 1969.
Succession of Life and Geological Time Table, 1953.
Regina 1925.

Titles listed chronologically.

jogoraz:

Jogo-z
Movement Inertia Time

jogoraz:

Jogo-z

Movement Inertia Time

magictransistor:

Hilma af Klint. Altarpiece, No. 1, Group X, The Dove, No. 3, Group IX, The Swan, No. 17, Group IX (top to bottom). 1913-1915.

Hilma af Klint (1862-1944) was a pioneer of art that turned away from visible reality. By 1906, she had developed an abstract imagery. This was several years before Wassily Kandinsky (1866-1944), Piet Mondrian (1872-1944) and Kazimir Malevich (1878-1935), who are still regarded as the pioneers of abstract 20th-century art. Hilma af Klint assumed that there was a spiritual dimension to life and aimed at visualizing contexts beyond what the eye can see. When painting, she believed that she was in contact with a higher consciousness that spoke and conveyed messages through her. Like many of her contemporaries, she was influenced by spiritual movements, especially spiritualism, theosophy and later anthroposophy. Through her paintings, she sought to understand and communicate the various dimensions of human existence. -Dr. M. Bunyan